Poem/Spooks In The Machine

Warning the First: This is what happens when I read about Twitter coverage of the Iranian election and start thinking about Little Brother, Serenity, The Gone-Away World and The X-Files in confluence. (With apologies to Cory Doctorow, Joss Whedon, Nick Harkaway and Chris Carter.)

Warning the Second: I am a giant geek.

Are you sitting comfortably? Then we’ll begin.

 

spooks in the machine

 

& in my head I hear them shouting –

Take it back! wrote Doctorow; & as the smoke

of bloody bombs and tiger-fires lights the way,

young fingers dance a typeset revolution, row on row, and say! –  

don’t updates sound like Mr Universe? You cannot stop the signal. 

True. Technology’s an everloving curse.

 

The youth are fighting back. From pens & swords

we battle guns & tweets; and shockingly the old wives’ mandate 

(tell it to the bees) has proven true:

the hivemind waits, a hydra craving news.

The truth is out there. All along the pipe of pipes,

we raise a cry: the The FOX is going up! 

& when we look and look again

there is no lie, no crawling, poor excuse to tell

that begs our ignorance of broken men,

the brimstone-charred apologists of hell.

 

Words thrive in spaces other norms refuse: they

grow like ivy, breed like mushrooms, eat the smart refuse

of dreams, & when the firewalls are trashed 

they revel in it: long live youth! whose busy thumbs in World War III

(should trenches ever come again, & schnapps, & soccer skirting bombs)

might save the Christmas Truce!

Talking ‘Bout A Revolution

First, some links:

Clay Shirky on the collapse of traditional newspapers and the need to find alternative means of journalism;

Natalia Morar, who organised an anti-government flashmob on Twitter and is now hiding from arrest;

Oprah and other celebrities battling to be the first on Twitter with a million followers; and

SR7,  a company for hire that specialises in digging up dirt on employees for other companies.

Now, some thoughts, in no particular order:

 1. Journalism is essential. People both like and need to know what’s going on. However, journalism is not a naturally occuring resource. People must go out, obtain information, then analyse, write and relay it, a time-consuming process traditionally deemed deserving of monetary compensation. No matter how easy it is to copy an existing source online, that source first needs to come from somewhere; and before that, someone must decide that the source itself is newsworthy.

2. As has always been true of all creative endeavours (singing, painting, dancing), there are vastly more people who participate in these activities than are paid to do so. Largely, this is a question of enjoyment, creative expression and ease. Blogs have tapped into this in a big way. Most bloggers make no money. Many blogs are read by only a tiny handful of people known to the writer, or not at all. And yet, they are prolific, because even without monetary compensation, the vast majority of people simply enjoy writing them. Many readers employ a similar logic.

3. Despite having been around for a number of years, Twitter has only just hit the collective journalistic hivemind. Recent weeks have seen an explosion of articles on how it is being used, why it is damaging people, whether the concept is utterly pointless, and the implications of its ongoing development. Diverse examples of all these include:

– the now-notorious #amazonfail incident and its aftermath;

– the Times bemoaning Twitter as a ‘rolling news service of the ego’ and then promptly signing up;

– a warning that social networking sites are damaging kids’ brains at the same time Twitter is being added to the Brittish school curriculum; and

– the use of Twitter in both the Mumbai bombings and hyperlocal news sites.

4. Writing on the collapse of newspapers as we know them, Clay Shirky sums up the process of social revolutions thusly: “The old stuff gets broken faster than the new stuff is put in its place. The importance of any given experiment isn’t apparent at the moment it appears; big changes stall, small changes spread. Even the revolutionaries can’t predict what will happen.” He concludes by saying that what we need is a “collection of new experiments” to help us figure out how journalism – as distinct from newspapers – can keep working.

5. TV news isn’t going anywhere. Neither is radio, which has survived bigger technological upheavals. Print journalism is failing because the internet has ruined its monopoly on exclusive media. Unlike free-to-air radio and television, which have always had to contend with the notion that a majority of listeners won’t be paying directly for their content, newspapers have thrived as a one-to-one exchange: a set amount of money per customer per paper, with very few exceptions. It’s not that the internet devalues the written word, or that making journalism freely available is inimical to notions of profit: it’s that, without being able to charge on that one-to-one basis, newspapers cannot command anything like their previous volume of revenue. They’ve simply never had to compete with a medium that could do the same thing, better, for a fraction of the cost. And now they’re floundering.

6.  Spare a moment to consider the notion of Digital Rights Management – DRM – and its relationship to the newspaper fiasco. Although concerned parimarily with digital music copyright, the ongoing debate about encryption for games and, with the advent of the Kindle and other such devices, the pirateability of digital books and audiobook rights, the underlying problem is the same in both instances: defining notions of ownership for both users and creators in an era where digital copies are readily available. Books in particular have always been subject to the whims of borrowing and lending without falling apart, but might their new digital formats change that? Or are they an exception to the rule? For long stints of time, it’s nicer to read on a page than a screen, but what if screens are improved, or some other technology developed that is just as comfortable to use as paper? Will we still crave tactile connections? 

7. People might not like to pay for content, but as Wikipedia, YouTube and Linus Torvalds have already proven, many are ready, willing and able to create content for free. Open source principles clearly predate the current revolution, and consciously or not, they’re informing it. Remove money from the equation (or at least, give it a drastically reduced emphasis) and gaze anew at the crisis of print journalism. Blogs, tweets, viral news: many of the new news staples are ungoverned, unruly, disparate products of the hivemind – flashmobs, crowdsourcing – but that doesn’t mean they go utterly unpoliced or work without change or criticism. Hey, it’s a revolution, folks. We’re breaking and making at the speed of thought. Give us time to learn the ropes.

8. Way back in 1995,  Major Motoko Kusanagi once mused, “And where does the newborn go from here? The net is vast and infinite.” In 2006, she reaffirmed the sentiment. We’re not yet ghosts in the shell, but let’s keep an open mind. The future rests in us.

Viva la Revolution!

When I grow up, I want to be Julian Assange.

On and off, I experience a strong desire to go out, throw off the shackles of oppression and join the Glorious Revolution – which is a problem, given that (a) I’m a white, well-off, middle class Australian with very few shackles, comparatively speaking, and (b) there’s no revolution – at least, not in the sense my psyche tends to mean, and even if there were, the full reality of it would probably snap me like a carrot stick. But the concept of Wikileaks is just so wonderfully, powerfully, beautifully subversive – in the best possible sense – that it makes me want to sing.

There is a revolution, after all. And damned if I’m not glad to hear it.