Posts Tagged ‘Metaphor’


The roof, the roof, the roof is on fire,
We don’t need no water, let the motherfucker burn,
Burn motherfucker, burn.

Fire Water Burn, The Bloodhound Gang*

Imagine you live in a town that’s constantly on fire. Not all of it, obviously – people still live there – but a large enough proportion of the buildings that, if you stop and look out the window, you’re usually bound to see smoke. The thing is, though, that it’s always the same old districts getting incinerated, to the point where you’re more or less used to it. You see sparks, you hear sirens, and without even bothering to investigate, you already know which bits are going up in flames – but because it’s never your neighbourhood, you’ve learned to tune it out. Sometimes, if a particular blaze gets close to a place you care about, you get angry – who are these careless firebugs, and why haven’t they been arrested? – but once the threat passes, you go back to your everyday routine, secure in the knowledge that you, at least, were never in any real danger. Even more rarely, when you wonder why your town has so many fires, you don’t give it too much thought, because the answer seems self evident: as the fires are localized, they must logically be caused by the people who live in those areas – otherwise, they’d have touched you by now.

Except, that explanation doesn’t really make sense, does it? Why would the same people be trying to burn the same old houses down, over and over and over again? Suddenly, you realise how fishy the whole situation really is, and for the first time, you start paying attention. You notice that, while some of the firefighters come from your neighbourhood, the vast majority live in the danger zones. Though the fires themselves had previously kept you from visiting the burnt-out places, you investigate, and realise they’re being more or less constantly rebuilt – from scratch, in some cases – by their inhabitants. And this troubles you, because if the fires aren’t just the result of clumsiness or malice on the part of a particular section of the populace – if the people you’d previously assumed were setting them are, in fact, engaged in a constant struggle to put them out – then why are there so many? And as you sit in your pristine, fire-free district, you suddenly notice something else: the contempt in which the fires and their victims are held by many of your neighbours. Whenever they see smoke, they sigh and tut about how “those people” are forever making a fuss about nothing, and can’t they just learn to ignore it all? If a firefighter passes through, they mutter darkly about “vultures” and “naysayers” – because clearly, as these people make a living from dealing with tragedy, they must therefore be invested in creating it. When the sirens wail, they don’t rush to help, but  sit back and lament the regularity with which their peace is broken. After all, it’s never their homes on fire, so they’re not the ones making the town look bad by constantly drawing attention to its failings.

All of this makes you feel uneasy; terribly so. You love your town – you’ve lived here all your life – but up until now, the fires have seemed a background issue. You’ve tuned them out, focussing instead on the unburnt parts: the classic architecture (smoke-stained and outdated though some of it undeniably is), the welcoming local culture (provided nobody mentions arson), the gorgeous parks (in the fire-free zones), the unique history. But if everything’s so wonderful, then why is there so much you’re discouraged from talking about? No longer content to assume that the firefighters must also be firestarters, you finally ask them obvious question: who or what are they really battling?

Carelessness and malice, is the answer – just not, by and large, from the denizens of the districts most affected. Lit cigarettes discarded by passing motorists (whose cars, coincidentally, bear a striking resemblance to those driven by your neighbours), children whose houses have never burned deciding to play with matches (though not, of course, in their own homes), the occasional pyromaniac setting fires to garner attention (the bigger the fuss, the better), and, very rarely, twisted criminals looking to cause some damage. The knowledge sits in your chest like a weight. Are my people always the villains? you ask. And: Don’t you ever burn yourselves? 

The chief firefighter sighs, as though she expected the question. She tells you: yes, many of your people help us. They do good works, and they speak for us in the unburnt districts, where we struggle to make ourselves heard, and that’s a very valuable thing. But some of them want rewards we’re in no place to give – nor should we need to. They think that, because their own homes aren’t threatened, they don’t really have to help, which means their time and effort are worth more than ours. Even if their skills are lesser, they’ll push our firefighters out of the way, more concerned with looking good alone than doing good as part of a team. And yes, we sometimes burn ourselves – of course we do! Pyromanics and criminals pop up everywhere, and accidents can happen to anyone. But because we live amidst fires, we take greater care not to set them by accident; we teach our children how to fight them, how to avoid them, and why you should always be wary of the danger they pose. We talk about fire safety, even when we’d rather be doing something else, because if we don’t, who will? Whereas your people, by and large, never learn those lessons at home. They only see that our districts burn, and so, when they want to play with fire, they come to us, and laugh when we take it seriously. And if we say to them, “This is all part of your town, too!”, they tell us, “Not really. Your bits are too burned to matter.” They don’t want us to fight for what’s ours, but they don’t want us to move into their parts, either.

So then you ask her, Why do you stay? If it’s all so terrible, why not move to another town?

Her answer is simple: Because we helped to build this place. We love it here, too. It’s just that we often love it for different reasons, and if we go, then who else will remember why they matter?

And that’s when you realise you have a choice: to keep on pretending there’s nothing wrong, or to grab a hose and start fighting fires.

This metaphor has been brought to you by The Committee Of People Who Are Sick Of Being Told To “Calm Down” About Stuff That Actually Matters, Because Pointing Out When Something’s On Fire  Isn’t The Same As Burning It Yourself: Seriously, Why Is This So Difficult To Understand? (And Also, While We’re On The Topic, Do You Really Think We Find This Process Enjoyable? I’m Sorry You’re Sick Of Hearing About It, But We’re Even More Sick Of Having Our Stuff Incinerated, Which Is Really Sort Of Worse.)  

*Though these specific lyrics are originally by Rock Master Scott & The Dynamic Three.

I’ve just read this wonderful post by N. K. Jemisin, about – among other things – how she became an epic fantasy fan. Every geek I’ve ever met has a story, not like this, but an origin myth: the Tale of the Turning Point, wherein the first seeds of their fascination were sown. And somehow, just by reading it, a different story has fixed itself in me, and as I can’t think of anything else to do with that story but tell it here, I will.

So:

There is a door in your heart. It wasn’t always there. But when you were a child, you dreamed the door, walking the hallways of your own blood with outstretched hands until suddenly, there it was! You didn’t open it straight away, though. The door is a question, and once asked, it can never lie unanswered. Most of us creep up to our door -contemplating it in odd moments, perhaps, or resting a tentative palm on its wood, daring ourselves to one day turn the handle. And when we finally do, it’s no one thing which prompts us, but a natural act, as familiar a motion as brushing our own hair.

Behind the door is a room – not empty, as we might expect, but heaped with all the loves and lessons of childhood. Though precious, it is also cluttered, and so we set about cleaning house, each of us according to our nature. But whether we cling to some things or discard them all, the end result is an emptier room than there was before, sweet and clean in anticipation of being filled up again. And where before our childhood passions ruled our hearts according to whim, now we have each been given a door, and mastery over the things which pass its threshold.

But even so, who can long resist the lure of an empty room? Flush with the novelty of our newly-opened hearts, we fill them indiscriminately with wild and glorious things, with magpie-treasures and scraps of lore, feathers and thoughts and rags, and if some of these things are perhaps, in truth, not equal to our impression of them, then that is only right, just as any colour in an empty room, no matter how gaudy elsewhere, serves to brighten it. And because of our love for them, these first possessions swell with pride and fill the room near to bursting, until the very door itself strains against its hinges and threatens to break.

Rather than let this happen, we dim our passions, shrinking them back to a manageable size. Our love is not less – in fact, our hearts have grown – but now, we are more judicious in its bestowal. Once again, we consider the furnishings of our secret room, and set about reordering them. Perhaps we only tweak a thing here or there; perhaps we throw everything out and start anew. But either way, we must always remember that the room and its fittings are destined to change from this point on: that what fills it now did not always fill it before, and that this is simply what it means to live. Not without very good reason should we disdain old loves, nor should we take lightly any decision to lock the door, no matter if our purpose is to prevent intrusion or escape. The heart was built to be many things, but a prison is not among them.

The door is a riddle, and one to which we do not know the answer. Not yet. But one day – and that day comes differently for all of us – we will cross its threshold for the last time. We will turn our key in the lock, switch off the lights and gaze out a window that wasn’t there before. And if we are very lucky, the sight of what lies beyond will make us smile.

But that’s another story.