Posts Tagged ‘Fairies’

My novella, Coral Bones, the first story in the Shakespearean Monstrous Little Voices anthology from Rebellion Publishing, is out today!

Coral Bones - cover

What’s it about, you ask? Well:

Miranda, daughter to Prospero, the feared sorcerer-Duke of Milan, stifles in her new marriage. Oppressed by her father, unloved by Ferdinand, she seeks freedom; and is granted it, when her childhood friend, the fairy spirit Ariel, returns. Miranda sets out to reach Queen Titania‚Äôs court in Illyria, to make a new future…

As much as The Tempest is one of my favourite Shakespearean plays, his treatment of Miranda has always bothered me. Aged sixteen, after being¬†raised alone on an island with only her father and spirits for company, Miranda’s ‘happy ending’ is to marry the first man she ever meets within a day of meeting him. This story is my way of asking: what happens next? Who is Miranda, really? What if Ariel, not Prospero, had the bulk of her raising? What would a girl from an island think of life at court?

What if Ariel had to set her free?

Coral Bones is a story about gender identity, feminism and fairies. I’m hugely honoured that it’s your first chance to explore the Monstrous Little Voices collection, and hope it leaves you eager to read the subsequent stories: The Course of True Love, by Kate Hartfield; The Unkindest Cut, by Emma Newman; Even in the Cannon’s Mouth, by Adrian Tchaikovsky; and On the Twelfth Night, by Jonathan Barnes.

Happy book day, everyone!

Heading¬†just finished¬†Richelle Mead’s Vampire Academy, I found myself wondering, not for the first time,¬†why vampires, zombies¬†and werewolves make for such popular subjects. Even accounting for boom-and-bust periods, they still dominate in comparison to stories about other kinds of semi-human mythological creatures. Fairies, angels, demons, witches¬†and succubi all have strong followings, but what is it about shapeshifters, bloodsuckers and the undead¬†that we just can’t get enough of? Why are nagas, centaurs, sylphs, dryads, ifrit, djin and selkies (to name but¬†a few) so comparatively¬†underrepresented?

There’s no one aswer to that question, but as I was mulling things over, it occurred to me that, unlike any of the other creatures listed above, vampires, zombies¬†and werewolves exist outside of any specific¬†religious context. Historically speaking, they are creatures of folklore more than creatures of myth, and while many cultures have stories about shape-shifters, the concept is strong enough to stand apart. By contrast, succubi, incubi, angels and demons are all heavily embedded in the Judeo-Christian tradition; witches have been¬†demonised by and therefore incorporated into¬†many religions, but are also associated with a variety of pagan and neopagan traditions in their own right. Nagas hail from the Vedic/Hindu tradition; centaurs, sylphs, dryads, hamadryads, oceanids and¬†nereids are part of Greek mythology;¬† fairies and selkies are from Celtic and Irish mythology;¬†and¬†djinn and ifrit are from the magic of old Arabia.

While religious and mythological origins are hardly a barrier to¬†the reimagining of fantastic creatures¬†for new stories¬†– indeed, they¬†frequently contribute to a rich sense of¬†worldbuilding – perhaps there’s an argument to be made that this selfsame quality also forces¬†writers¬†to¬†address the¬†traditional context of (say) angels¬†before a new schema can be introduced. Which isn’t to say that vampire (or zombie, or werewolf) stories don’t have¬†to tackle existing preconceptions of their main species, so to speak –¬†rather,¬†it’s a question of associated beliefs.¬†Zombies, vampires and werewolves don’t exist as part of any religious or mythological canon.¬†Mentioning a vampire protagonist does not¬†infer¬†the existence of old gods in the way that dryads or¬†demons might, and while there’s certainly a strong tradition of involving Christianity in vampire, zombie and werewolf¬†narratives, the fact remains that neither species¬†is an¬†intrinsic part of Christianity or the Christian mythos. Instead, their ungodliness has been extrapolated in retrospect, making it¬†comparatively easy to remove.¬†Challenging the ungodliness of demons, however, or questioning the saintliness of angels, requires a much more determined assault on established cannon.

Put simply, it is easy to turn¬†vampires, werewolves and zombies into secular protagonists – and therefore to adapt them to modern scenarios – precisely because¬†they lack concrete allegience¬†to established mythological frameworks. Other creatures and species, of necessity, bring more baggage¬†with them: there are stronger assumptions to be overwritten, and especially when¬†the existence of one race (say dryads) goes hand in hand with the existence of another (say centaurs), it is less common to try and¬†recreate dryads as the sole magical¬†species of a given story. Which isn’t a bad thing in the slightest – but it might go some way towards explaining why vampires, weres and zombies are constantly being reinvented, and why their mythological bretheren tend to dwell in¬†bigger, more magical¬†worlds.

What does everyone else think?