Archive for March, 2016

Do you like Hayao Miyazaki? If so, then Fran Wilde’s Updraft is the book for you.

That’s a big claim, so let me back up and explain it. The first volume in Wilde’s Bone Universe series, Updraft is narrated by Kirit, a young woman who lives in a city of living bone towers high above the clouds. Eager to past her wingtest and become a trader, Kirit’s dreams are abruptly derailed when she breaks Tower Law and encounters a skymouth, one of the invisible, tentacled monsters that periodically threatens her home. Taken by the Singers, the mysterious order who governs from the Spire, Kirit must struggle to make sense of her city and its secrets in order to survive – and to save the people she loves.

All the way through Updraft, and despite the clear originality of the setting – invisible creatures! bone towers! – I had a niggling sensation of familiarity. And then it struck me: Miyazaki. Across all his many films, certain elements are consistently present, if not always exhibited in the same ways: single-person flying machines, capable young heroines whose primary relationships are platonic or familial rather than romantic, tentacled monsters, lost history. All these elements are central to Updraft, and given the skilful pacing and construction – to say nothing of how neatly everything hangs together at the end while still leaving enough unanswered questions to explore in subsequent novels – the overall effect is like reading a novelized Miyazaki story.

The setting, in particular, is an extremely visual one, and it’s a testament to Wilde’s skill as a writer that she manages to so clearly convey such a unique visual space and its occupying society in such clean, quick prose. Small details like the use of bone scraps in lieu of paper, the breeding of batlike flying creatures and small spidery insects by tower residents, the use of symbols and songs as teaching tools and the construction of the ubiquitous wings used to traverse the city are all incorporated seamlessly into the narrative, fleshing out the environment like a series of accomplished panning shots. It’s exactly the sort of novel that not only deserves, but structurally begs for an adaptation, and were such a thing to happen, I’d be first in line to see it.

Updraft is an amazing first novel, and I highly recommend it. Wilde has created a truly captivating setting, an intriguing culture and a memorable set of characters, and I can’t wait to read the sequel.

For those who didn’t already know, I’m going to be at Mancunicon – which is to say, Eastercon 2016 – in Manchester, from March 25th – 28th. This will likely be my last UK con for some time, as I’m moving back home from Aberdeen, Scotland to Brisbane, Australia at the start of April. As such, I’m delighted to say that I’ll be appearing on three separate panels. Namely:

Shipping the End of the World

Saturday 10:00 – 11:00, Room 8&9 (Hilton Deansgate)

The Hunger Games, Insurgent, The 100, The Walking Dead, and countless other TV shows, films, novels, and comics are set at the end of the world or in a post-apocalyptic environment. Many of these have huge and enthusiastic fanbases that often all but ignore the apocalypse in favour of shipping multiple characters. In fandoms not set at the end of the world, it is common for AUs to do just that. The zombie apocalypse being particularly common. In this session we enjoy the delights of the apocalypse and question its appeal as a setting among shippers.

The nature of this session may result in adult themes being discussed.

Participants: Lexin (M), Emily January, Foz Meadows, Ms Kate Wood, Louise Dennis.

Read My Enemy

Monday 10:00 – 11:00, Room 8&9 (Hilton Deansgate)

The relationship between art and politics is not straightforward, and the political status of great art is always contested. This can go beyond liking works with problematic elements: which books, films, TV shows or other artworks do you profoundly disagree with at their core, and yet adore nonetheless? How do you process that disjunction? The devil is said to have all the best tunes: might he also write the best stories?

Participants: Nick Larter (M), Roz Kaveney, Foz Meadows, Peadar Ó Guilín, Tom Toner.

Radical Worldbuilding

Monday 14:30 – 15:30, Room 6 (Hilton Deansgate)

From the anarchist society in Ursula K. Le Guin’s classic The Dispossessed to the multiple cultures of Kameron Hurley’s Worldbreaker Chronicles, some SF societies have always been constructed to challenge what at least some of their readers might consider plausible. What are the advantages and disadvantages of showcasing radical alternatives in this way — as opposed to, say, starting with something that looks familiar and then breaking it? Who are such stories for: the readers who will be challenged, or those who will be delighted? Is “plausibility” actually a meaningful or useful goal? Is there a limit to how much writers can change in one story, and if so why, or why not?

Participants: Kate Wood (M), E.G. Cosh, Foz Meadows, Taj Hayer, Graham Sleight.

Hope to see you there!